Here’s a behind the scenes piece I recently edited for Love in the Time of Flannel – a short film written & directed by Jeff Gardiner and produced & photographed by Christina Cervantes. The film is about middle school love during the 90′s grunge movement.

Behind the Scenes of Love in the Time of Flannel from Ben Avilez on Vimeo.

Last weekend I graduated from San Diego State University – good times indeed. It’s weird thinking that I may never see some of those people again. I’d like to think otherwise. Beside the point, I still feel weird saying I have a degree in film.

Cheesing it up FTW!

I also acted in a film last semester. Disclaimer: I have no acting experience – but it was fun nonetheless. My friend, Brian Garcia, who I met in my writing class wrote/directed it. Gotta admit, it’s still weird seeing myself in a movie. Here’s the trailer:

Crossing The Line – Cruzando La Linea (Trailer) from Brian Garcia on Vimeo.

I did this gig last year but didn’t see the finished product until recently. Check it:

G.I. Joe Premiere at UltraStar Cinemas San Diego from Jeff Katz on Vimeo.

Wish I could knock these things out every day – this was a fun one! Here’s a behind the scenes look of “A Meaningful Mother” – directed by Shannon Volkenant, produced by Reese Avanessian, and shot by Spencer Scranton.

I feel like the mentality of a lot of filmmakers is that when they make their first feature they decide to make it for either dirt-cheap or further down the line when they become “someone” and have access to an endless abyss of money. Let’s get real here though, most of us are clueless in regards to how to attain dough for your flick during pre-production. We wouldn’t know who to ask yet alone how to ask.

I recently discovered this videoblog on YouTube that relates to this called Confessions of an Independent Filmmaker. This guy has guts. Basically, for the past 10 years he has been struggling to get his film made. He wrote the script in college at USC and since then has been going to studio execs and film marketers to make his dream become a reality. He’s constantly getting the door slammed in his face but he continues to persevere through it. It’s some inspirational stuff:

Been real busy the last few months with my next film, Diecast: Initiation. I’m still editing it, putting together the website, making a film marketing plan, etc. It’s a busy process.

Anyways, in trying to do all of the above I’ve also been reading more than I ever have lately (I never read). With only one semester of school left it’s starting to hit me – I’m about to go into one of the world’s most competitive industries where money and egos reign. Can I change my ways and become more assertive? Less lazy? More inspired? Tough to say. All I know is that I will try. Here’s my current booklist:

Directing Actors by Judith Weston

I’m about 2/3rds of the way through with it but so far it has been one gigantic bank-hand to the face – in a good way. She writes a lot about the negatives of result direction, which is the kind I generally give (if any, hah). She offers up suggestions on how to get more out of your actors. It was almost embarrassing to read all this and finally begin to understand why there were questions on set. Essentially she gives a clear outline of what the actor wants to hear from the director and how to solidify that actor-director relationship. It’s a very informative read (thus far) and I highly recommend it to anyone who wants to direct.

From Reel to Deal by Dov S-S Simens

The pre-production and marketing aspects of this book were invaluable. Dov drops the knowledge. At the end of each chapter he provides addresses, phone numbers, etc. to get your “in” in Hollywood. Course, I question how accurate some of these are since the book was written in ’03. Nonetheless, he breaks screenwriting down in a very simplistic way. It literally made me LOL. He also has a ranking of the most popular film festivals (honestly, aside from Sundance and Tribeca, I wasn’t familiar with the topnotch ones). Since the book is more focused on shooting film and feature-length in regards to production, I didn’t find that section particularly helpful. He does address shooting on digital later in the book but I felt like it wasn’t entirely up to date but his section on attaining distribution is enough to warrant the book’s purchase.

Swimming Upstream: A Lifesaving Guide to Short Film Distribution by Sharon Badal

This was actually an assigned book for one of my classes – most people didn’t read it, hah. The book consists primarily of interviews of filmmakers who have successfully made and attained distribution for their short films. I know, there’s short film distribution out there? Don’t quit your day job just yet though – it’s a long, difficult process. In fact, short film distribution is much more competitive than feature length distribution simply because of the greater number of shorts made. Fortunately, if you aim your film at a particular niche or theme, know your audience, have an excellent marking campaign, and know which festivals would appropriately suit your film then there is hope.

Story by Robert McKee

I’ve just started reading this one but I already know that it’s going to be a game-changer. It concentrates on the writing aspect of film in a workshop form. What I’m particularly drawn in by is the fact that there is no one way to write a story. McKee encourages the writer to try whatever works. He touches on plot development and how to humanize your characters. Heck, I even bought the audiobook version. FYI, this book is fairly lengthy. If you aim to become a writer in film, you should definitely check this one out!

100 Ways to Motivate Yourself by Steve Chandler

Albeit, this isn’t necessarily a film book, I’d say it’s just as motivational as Rebel Without A Crew was. I’m constantly finding quotes that really stick with me. Especially going into a career filled with negativity and fatalism, I think it’s extremely important that you present yourself as optimistic and glass-half-full. I know that I enjoy working with upbeat people MUCH more than those who are cynical and jaded – even when the latter has more knowledge and experience. Yes, I would choose a rookie optimist any day over an experienced naysayer. Warning: This book will give you a whole new perspective on life.

…anything having to do with the short/eventual feature length film “Diecast” will be on this site: http://www.diecastfilm.com. You should check it out. Now.

In other news, I’m going to be pitching my next film. It’ll be the prelude to Diecast and that’s all I can really say for the time being. It’ll be a whole separate short film entity – nothing like Diecast.

The last few weeks have been relentless. I’ve been doing a few different things but I’ll explain more of that in another post. For now, I’ll just mention the thing that’s the freshest on my mind:

I participated in the 48 Hour Film Festival. I didn’t know anyone going into it but now I have some good friends because of it. Stress aside, I had a blast! I was the boom mic operator during production and the editor in post. It was tough that we had to do everything down to the wire - I felt like there were several things I could have done better but even then the project came out pretty good. Here’s a behind-the-scenes look of the production.

www.youtube.com/watch?v=6r8_LHTbfsA

This really should have been finished a lot sooner but I got sick. Anyways, here’s a behind the scenes look of 4HRSMN, a short film directed by Holly Asarias.

Behind the Scenes of 4HRSMN – Day 1 from Ben Avilez on Vimeo.